Colloque Daniel Arasse
Organised by: Nadeije Laneyrie Dagen (ENS), Danièle Cohn (EHESS), Frédéric Cousinié (INHA), Philippe Morel (univ. Paris I), Yves Hersant (EHESS), Giovanni Careri (EHESS), Maurice Brock (univ. Tours) et Philippe Dagen (univ. Paris I)
Vignette grande

The Passion of Adonis
by David Rosand (Columbia University, New York)

[8th June, 2006 at 15:00]

In the theme of the death of the hero, classical antiquity offered to the Christian pictorial imagination a model of pathos and a hero of particular relevance: Adonis, the mortal immortalized by divine love in a cycle of death and resurrection. This paper considers the appropriation of that model in the imagery of the late Renaissance, the visual model of its affective structure and the emotional resonance of its literary expression. Exploring the tale Venus and Adonis, painters probed the dimensions of pathos and the possibilities of narrative implication inherent in that model.

Online ressources [help]

Enregistrement audio de la conférence [en anglais] de David Rosand

Listen on line
format audio mp3 (haut débit) - ??? (erreur acces)

Enregistrement audio de la conférence [en anglais] de David Rosand

Listen on line
format audio mp3 - ??? (erreur acces)

Enregistrement vidéo de la conférence [en anglais] de David Rosand

Watch on line
format quicktime mov, vidéo à la demande

Enregistrement vidéo de la conférence [en anglais] de David Rosand

Download
format mp4, vidéo à télécharger - 82.21 Mo

Enregistrement vidéo de la conférence [en anglais] de David Rosand

Download
format windows media video - 57.7 Mo

Weblinks

about this section

Site officiel du colloque sur le site de l'INHA

about this conference

no link

about the speaker

Page personnelle de David Rosand

other conferences

about art history

David Rosand

David Rosand (Columbia University, New York)
David Rosand, Meyer Schapiro Professor of Art History at Columbia University, is a scholar of Renaissance art who has published as well on modern art and on American painting. Three of his books have appeared in French translation: Peindre à Venise au XVIe siècle : Titien, Véronèse, Tintoret (Flammarion, 1993), Titien : l’art plus fort que la nature (Découvertes Gallimard, 1993), and La trace de l’artiste : Léonard et Titien (Gallimard, 1993). His more recent books include Robert Motherwell on Paper: Drawings, Prints, Collages (1997), Myths of Venice: The Figuration of a State (2001), Drawing Acts: Studies in Graphic Expression and Representation (2002), and The Invention of Painting in America (2004). He is currently preparing a monograph on the art of Paolo Veronese, to be published by Citadelles & Mazenod.

Colloque Daniel Arasse


More informations ...

Other conferences in this section:

Consult other events of the same group :

transparent